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Brenda Fassie (3 November 1964 – 9 May 2004) was an anti-apartheid South African Afropop singer. Her bold stage antics earned a reputation for "outrageousness". Affectionately called Mabrr by her fans, she was sometimes described as the "Queen of African Pop".
Fassie was born in Langa, Cape Town, as the youngest of nine children. She was named after the American singer Brenda Lee. Her father died when she was two, and with the help of her mother, a pianist, she started earning money by singing for tourists.
In 1981, at the age of 16, she left Cape Town for Soweto, Johannesburg, to seek her fortune as a singer. Fassie first joined the group Joy and later became the lead singer for a township music group called Brenda and the Big Dudes. She had a son, Bongani, in 1985 by a fellow Big Dudes musician. She married Nhlanhla Mbambo in 1989 but divorced in 1991. Around this time she became addicted to cocaine and her career suffered.
With very outspoken views and frequent visits to the poorer townships of Johannesburg, as well as songs about life in the townships, she enjoyed tremendous popularity. Known best for her songs "Weekend Special" and "Too Late for Mama", she was dubbed "The Madonna of the Townships" by Time in 2001.
In 1995, she was discovered in a hotel with the body of her lesbian lover, Poppie Sihlahla, who had died of an apparent overdose. Fassie underwent rehabilitation and got her career back on track. However, she still had drug problems and returned to drug rehabilitation clinics about 30 times in her life.
From 1996 she released several solo albums, including Now Is the Time, Memeza (1997), and Nomakanjani?. Most of her albums became multi-platinum sellers in South Africa; Memeza was the best-selling album in South Africa in 1998.
On the morning of April 26, 2004, Fassie collapsed at her home in Buccleuch, Gauteng, and was admitted into a hospital in Sunninghill. The press were told that she had suffered cardiac arrest, but later reported that she had slipped into a coma brought on by an asthma attack. The post-mortem report revealed that she had taken an overdose of cocaine on the night of her collapse, and this was the cause of her coma. She stopped breathing and suffered brain damage from lack of oxygen. Fassie was visited in the hospital by Nelson Mandela, Winnie Mandela, and Thabo Mbeki, and her condition was front-page news in South African papers. She died aged 39 on 9 May 9, 2004 in the hospital without returning to consciousness after her life support machines were turned off. According to the South African Sunday Times and the managers of her music company, the post-mortem report also showed that she was HIV-positive. Her manager, Peter Snyman, denied this aspect of the report.
Her family, including her long term partner, were at her side when she died in 2004.
Brenda Fassie was voted 17th in the Top 100 Great South Africans.
Her son Bongani 'Bongz' Fassie performed on the soundtrack to the 2005 Academy Award-winning movie Tsotsi. He dedicated his song "I'm So Sorry" to his mother.
In March 2006 a life-size bronze sculpture of Fassie by artist Angus Taylor was installed outside Bassline, a music venue in Johannesburg.
Most of Fassie's records were issued by the EMI-owned CCP Records.
- 1989: Brenda
- 1990: Black President
- 1994: Brenda Fassie
- 1995: Mama
- 1996: Now Is the Time
- 1997: Memeza
- 1997: Paparazzi
- 2000: Thola Amadlozi
- 2001: Brenda: The Greatest Hits
- 2003: Mali
- 2003: The Remix Collection
- 2004: Gimme Some Volume
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Sam Cooke, byname of Samuel Cook (b. January 22, 1931, Clarksdale, Mississippi.—d. December 11, 1964, Los Angeles, California), American singer, songwriter, producer, and entrepreneur. Cooke was a major figure in the history of popular music and, along with Ray Charles, one of the most influential African American vocalists of the post-World War II period. If Charles represented raw soul, Cooke symbolized sweet soul. To his many celebrated disciples — Smokey Robinson, James Taylor, and Michael Jackson among them—he was an icon of unrivaled stature.
Cooke’s career came in two phases. As a member of the groundbreaking Soul Stirrers, a premier gospel group of the 1950s, he electrified the African American church community nationwide with a light, lilting vocal style that soared rather than thundered. “Nearer to Thee” (1955), “Touch the Hem of His Garment” (1956), and “Jesus, Wash Away My Troubles” (1956) were major gospel hits and, in the words of Aretha Franklin, “perfectly chiseled jewels.”
Cooke’s decision to turn his attention to pop music in 1957 had tremendous implications in the African American musical community. There long had been a taboo against such a move, but Cooke broke the mold. He reinvented himself as a romantic crooner in the manner of Nat King Cole. His strength was in his smoothness. He wrote many of his best songs himself, including his first hit, the ethereal "You Send Me," which shot to number one on all charts in 1957 and established Cooke as a superstar.
While other rhythm-and-blues artists stressed visceral sexuality, Cooke was essentially a spiritualist, even in the domain of romantic love. When he did sing dance songs—“Twistin’ the Night Away” (1962), “Shake” (1965)—he did so with a delicacy theretofore unknown in rock music. Cooke also distinguished himself as an independent businessman, heading his own publishing, recording, and management firms. He broke new ground by playing nightclubs, such as the Copacabana in New York City, previously off-limits to rhythm-and-blues acts.
The tragedy of his demise in 1964—he was shot to death at age 33 by a motel manager—is shrouded in mystery. But the mystery has done nothing to damage the strength of his legacy. “A Change Is Gonna Come” (1965) remains his signature song, an anthem of hope and boundless optimism that expresses the genius of his poetry and sweetness of his soul. Cooke was inducted into the Rock and Roll Hall of Fame in 1986.
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Don (Donald Matthew) Redman (1900-1964), a jazz saxophonist, bandleader, and arranger, was the first African American orchestra leader to have a sponsored radio series. He was a pioneer jazz arranger-composer and contributed significantly to the development of the big-band sound of the 1920s and 1930s. A child prodigy, Redman was born in Piedmont, West Virginia, and studied at music conservatories in Boston and Detroit.
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