Friday, June 14, 2013

1948

Compilations



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  • Timeless Classics (2011)
Singles
  • "Let Love Touch Us Now"/"I Am I Said" (1982), Black Ark International - 12-inch, credited as 'Bunny Rags'
  • "Be Thank Full" (19??), Belleville International
  • "War, War, War" (198?), Black Scorpio
  • "Bridges Instead" (1990), Two Friends - 12-inch, Shabba Ranks featuring Bunny Rugs
  • "Here Comes Rudie" (1991), Exterminator - Gregory Isaacs & Bunny Rugs
  • "Rude Boy" (1991), Xterminator - Tony Rebel, Gregory Isaacs, and Bunny Rugs
  • "If I Follow My Heart" (1993), Tuff Gong
  • "I'm The Ghetto" (1993), Leggo
  • "Stand By Me" (1994), Shanachie - Bunny Rugs & Papa San
  • "Stand By Me" (1994), Black Scorpio - Papa San & Bunny Rugs, B-side of Papa San's "Girls Every Day"
  • "Now That We've Found Love" (1995), Greensleeves - 12-inch
  • "Now That We Found Love" (1995), Black Scorpio - featuring Sean Paul
  • "Now That We Found Love" (1995), Shanachie
  • "Apartheid No!"
  • "I'll Be There" (2002), Joe Frasier
  • "What a World" (2004), Raw Edge
  • "Marcus Garvey" (2004), Mister Tipsy
  • "Writings on the Wall" (2005), Elogic Music Group - Wayne Marshall & Bunny Rugs
  • "Now That We've Found Love" (2006), CED - CD maxi single
  • "World Today" (2007), Hyper-Active Entertainment
  • "Down in the Ghetto" (2007), Taxi - Bounty Killer & Bunny Rugs
  • "Satamassagana" (20??), Coptic Lion - featuring Tappa Zukie
  • Excerpts from the album Time EP (2011)
  • "Big May" (2012), Black Swan/Trojan
  • "Land We Love" (2012)
With Bunny & Ricky
  • "Freedom Fighter" (1974), Black Art
  • "Bushweed Corntrash" (1975), Black Art

*****

Tony Gleaton (b. August 4, 1948, Detroit, Michigan - d. August 14, 2015, Palo Alto, California) was an African American photographer, scholar, and artist who is best known for his photographic images capturing and documenting the African influence in the American West and Central and South America. Gleaton, the youngest son of an elementary school teacher and police officer, was born into a black middle-class family on August 4, 1948 in Detroit, Michigan.  His father, Leo, was a police officer; his mother, the former Geraldine Woodson, taught school. In 1959, his mother left his father and moved the family to California. Gleaton played football in high school and briefly at East Los Angeles Junior College before joining the United States Marine Corps in 1967. While on his first tour of duty in Vietnam, he became fascinated with the camera. 

After serving in the Marine Corps until 1970, Gleaton returned to California and enrolled at the University of California, Los Angeles (UCLA). While there, he took a photography class that revealed his talent for shooting photos. He left UCLA without getting a degree and studied for a semester at the Arts Center School of Design in Los Angeles before venturing to New York to pursue his aspirations of becoming a fashion photographer. Gleaton worked as a photographic assistant and performed other various jobs through the 1970s.

Dissatisfied with the fashion world, Gleaton left New York in 1980 and hitchhiked throughout the American West, photographing cowboys first in northeastern Nevada and then in Texas. He captured the lives of Native American ranch hands and black rodeo riders. His photographic ventures in Texas, Colorado, Nevada, Idaho, and Kansas formed the essence of his project titled Cowboys: Reconstructing an American Myth. This collection featured a series of portraits of African, Native, Mexican and European American cowboys.

Gleaton’s interest in the multicultural Southwest influenced his travels to Mexico. By 1981 he had begun traveling to and from Mexico, shooting photographs. In 1982 he moved to Mexico City, and from 1986 to 1992, he resided with the Tarahumara Indians in northern Mexico and then moved to Guerrero and Oaxaca. Here, Gleaton began what is now his most famous project, Tengo Casi 500 Años: Africa’s Legacy in Mexico, Central & South America. Gleaton photographed the present-day descendants of African slaves brought to the region by Spanish conquistadors in the sixteenth, seventeenth, and eighteenth centuries.  

Africa’s Legacy gained international recognition. In 1993 the collection was placed on exhibit by the Smithsonian Museum and toured throughout Mexico and Cuba with the sponsorship of the Mexican National Council of Art. By 1996 Gleaton had expanded his project to include Central and South America, eventually traveling over fifty thousand miles with stops in sixteen countries between 1993 and 2002.

In 2002 Gleaton became a visiting professor of photography at Texas Tech University.  That same year, he finished a Master’s in Art at Bard College. In 2004 Gleaton became a scholar in residence for the Texas Tech Southwest Collection/Special Collections Library in Lubbock, Texas. The collection houses the Tony Gleaton Archive.  

A big man — he was well over 6 feet tall and weighed more than 300 pounds — Gleaton was known as a charmer, especially with his subjects and with students of photography. He was divorced three times before he married Lisa Ellerbee, a teacher, in 2005. She was his only immediate survivor. They lived in San Mateo, Calif.

Gleaton, who was light-skinned with green eyes, said he often had to explain to people that both his parents were black and that he was not biracial, and that the preconceptions people had of him found their way into his work.

Tony Gleaton died on August 14, 2015, in Palo Alto, California.  His only immediate survivor was his wife, Lisa Gleaton.



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*Richard Parsons was born in Brooklyn, New York (April 4).  He would become the Chairman and CEO of Time Warner. 

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Gurnah, Abdulrazak

Abdulrazak Gurnah (b. December 20, 1948, Sultanate of Zanzibar). Tanzanian-born novelist and academic who was based in the United Kingdom. He was born in the Sultanate of Zanzibar and moved to the United Kingdom in the 1960s as a refugee during the Zanzibar Revolution. His novels include Paradise (1994), which was shortlisted for both the Booker and the Whitbread Prize; Desertion (2005), which was shortlisted for the 2006 Commonwealth Writers' Prize; and By the Sea (2001), which was longlisted for the Booker and shortlisted for the Los Angeles Times Book Prize. 

Gurnah was awarded the Nobel Prize in Literature in 2021 "for his uncompromising and compassionate penetration of the effects of colonialism and the fates of the refugee in the gulf between cultures and continents".  

Abdulrazak Gurnah was born on December 20, 1948 in the Sultanate of Zanzibar, which is now part of present-day Tanzania.  He left the island at the age of 18 following the overthrow of the ruling Arab elite in the Zanzibar Revolution, arriving in England in 1968 as a refugee. He is of  Arab heritage.

Gurnah initially studied at Christ Church College, Canterbury, whose degrees were at the time awarded by the University of London.  He then moved to the University of Kent, where, in 1982, he earned his PhD, with a thesis titled Criteria in the Criticism of West African Fiction.

From 1980 to 1983, Gurnah lectured at Bayero University Kano in Nigeria.  He went on to become a professor of English and postcolonial literature at the University of Kent, where he taught until his retirement in 2017, and where he became professor emeritus of English and postcolonial literatures.

Alongside his work in academia, Gurnah is a writer and novelist. He is the author of many short stories, essays and ten novels.

While his first language is Swahili, he has used English as his literary language. However, Gurnah integrates bits of Swahili, Arabic, and German throughout most of his writings. He has said that he had to push back against publishers to continue this practice, while they would have preferred to "italicize or Anglicize Swahili and Arabic references and phrases in his books." Gurnah has criticized the practices in both British and American publishing which want to "make the alien seem alien" by marking 'foreign' terms and phrases with italics or by putting them in a glossary.

In his works, Gurnah draws on the imagery and stories from the Qur'an, as well as from Arabic and Persian poetry, particularly “The Arabian Nights.” 


Gurnah began writing out of homesickness during his 20s. He started by writing down thoughts in his diary, which turned into longer reflections about home; and eventually grew into writing fictional stories about other people. This created a habit of using writing as a tool to understand and record his experience of being a refugee, living in another land, and the feeling of being displaced. These initial stories eventually became Gurnah's first novel, Memory of Departure (1987), which he wrote alongside his Ph.D. dissertation. This first book set the stage for his ongoing exploration of the themes of "the lingering trauma of colonialism, war and displacement" throughout his subsequent novels, short stories and critical essays.

Consistent themes run through Gurnah's writing, including exile, displacement, belonging, colonialism, and broken promises on the part of the state. Most of his novels tell stories about people living in the developing world, affected by war or crisis, who may not be able to tell their own stories.

Much of Gurnah's work is set on the coast of East Africa, and all but one of his novels' protagonists were born in Zanzibar. Though Gurnah has not returned to live in Tanzania since he left at 18, he has said that his homeland "always asserts himself in his imagination, even when he deliberately tries to set his stories elsewhere."

Gurnah edited two volumes of Essays on African Writing and has published articles on a number of contemporary postcolonial writers, including V. S. Naipaul, Salman Rushdie and Zoe Wicomb.  He is the editor of A Companion to Salman Rushdie (Cambridge University Press, 2007). He has been a contributing editor of Wasafiri magazine since 1987, and he has been a judge for awards including the Caine Prize for African Writing, the Booker Prize, and the RSL Literature Matters Awards. 

In 2006, Gurnah was elected a fellow of the Royal Society of Literature (RSL).  In 2007, he won the RFI (Radio France Internationale) Témoin du Monde ("Witness of the world") award in France for By the Sea.

On October 7, 2021, he was awarded the Nobel Prize in Literature for 2021 "for his uncompromising and compassionate penetration of the effects of colonialism and the fates of the refugee in the gulf between cultures and continents". Gurnah was the first Black writer to receive the prize since 1993, and the first African writer since 2007. 

Gurnah lives in Canterbury, England, and has British citizenship. He maintains close ties with Tanzania, where he still has family, and where he says he goes when he can: "I am from there. In my mind I live there."

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Bob Lanier, a Dominant Center of the 1970s and ’80s, Dies at 73

Playing for the Detroit Pistons and the Milwaukee Bucks, he held his own against titans of the era like Wilt Chamberlain, Kareem Abdul-Jabbar and Willis Reed.

Bob Lanier of the Detroit Pistons scoring against Kareem Abdul-Jabbar of the Milwaukee Bucks during a game in Milwaukee in 1973. “You had all these rivalries,” Lanier recalled of his years in the N.B.A. “You had all these great big men.”
Credit...AP Photo/Paul Shane
Bob Lanier of the Detroit Pistons scoring against Kareem Abdul-Jabbar of the Milwaukee Bucks during a game in Milwaukee in 1973. “You had all these rivalries,” Lanier recalled of his years in the N.B.A. “You had all these great big men.”

Bob Lanier, who as a center for the Detroit Pistons and Milwaukee Bucks in the 1970s and ’80s parlayed a deft left-handed hook shot, a soft midrange jumper and robust rebounding skills into a Hall of Fame career, died on Tuesday in Phoenix. He was 73.

The N.B.A. said he died after a short illness but provided no other details.

Lanier, who stood 6-foot-11 and weighed about 250 pounds, excelled in an era of dominant centers like Wilt Chamberlain, Kareem Abdul-Jabbar, Nate Thurmond and Wes Unseld.

“Guys didn’t change teams as much, so when you were facing the Bulls or the Bucks or New York, you had all these rivalries,” he told NBA.com in 2018. “Lanier against Jabbar! Jabbar against Willis Reed! And then Chamberlain and Artis Gilmore and Bill Walton! You had all these great big men, and the game was played from inside out.”

He added: “It was a rougher game, a much more physical game that we played in the ’70s. You could steer people with elbows. They started cutting down on the number of fights by fining people more. Oh, it was a rough ’n’ tumble game.”

As a Pistons rookie in the 1970-71 season, Lanier shared time at center with Otto Moore. In his second season, as a full-time starter, he averaged 25.7 points and 14.2 rebounds a game, putting him in the league’s top 10 in both categories.

“He understood the small nuances of the game,” Dave Bing, a Pistons teammate and fellow Hall of Famer, said in a video biography of Lanier shown on Fox Sports Detroit in 2012. “He could shoot the 18-to-20-footer as well as any guard. He had a hook shot — nobody but Kareem had a hook shot like him. He could do anything he wanted to do.”

Lanier wore what were believed to be size 22 sneakers. In 1989, however, a representative of Converse disputed that notion, saying that they were in fact size 18 ½. Whatever their actual size, a pair of Lanier’s sneakers, bronzed, is in the collection of the Naismith Memorial Basketball Hall of Fame in Springfield, Mass.

During nine full seasons with the Pistons, Lanier played in seven All-Star Games. He was elected most valuable player of the 1974 All-Star Game, in which he led all scorers with 24 points.

But the Pistons had only four winning seasons during his time with the team and never advanced very far in the playoffs. The roster was often in flux. Coaches came and went. Lanier dealt with knee injuries and other physical setbacks.

“It was like a life unfulfilled,” he told Fox Sports Detroit.

In early 1980, with the Pistons’ record at 14-40, the team traded Lanier to the Milwaukee Bucks for a younger center, Kent Benson, and a first-round 1980 draft pick. Frustrated by the Pistons’ lack of success, Lanier had asked to be sent to a playoff contender.

“I’m kind of relieved, but I’m kind of sad, too,” he told The Detroit Free Press. “I’ve got a lot of good memories of Detroit.”

Lanier averaged 22.7 points and 11.8 rebounds a game with the Pistons.

Image
Lanier in his college years at St. Bonaventure, resting during a game against Marquette in 1969. A pair of his exceptionally large sneakers is in the collection of the Basketball Hall of Fame.
Credit...AP Photo
Lanier in his college years at St. Bonaventure, resting during a game against Marquette in 1969. A pair of his exceptionally large sneakers is in the collection of the Basketball Hall of Fame.

Robert Jerry Lanier Jr. was born on Sept. 10, 1948, in Buffalo to Robert and Nannie Lanier. Young Bob was 6-foot-5 by the time he was a sophomore in high school, and he played well enough there to be wooed by dozens of colleges. He chose St. Bonaventure University in upstate Allegany, N.Y.

He was a sensation there, averaging 27.6 points and 15.7 rebounds over three seasons.

In 1970, the Bonnies defeated Villanova to win the East Regional finals of the N.C.A.A. men’s basketball tournament, sending them to the Final Four. But Lanier injured his knee during the game, forcing the Bonnies to face Jacksonville in the national semifinal game without him. St. Bonaventure lost, 91-83.

“I didn’t even know at the time I tore my knee up,” Lanier told The Buffalo News in 2007. “But when I ran back down the court and tried to pivot, my leg collapsed. I didn’t know at the time I had torn my M.C.L.”

Lanier was still recuperating from knee surgery when the Pistons chose him No. 1 overall in the N.B.A. draft; he was also chosen No. 1 by the New York (now Brooklyn) Nets of the American Basketball Association. He quickly signed with Detroit.

Although he had statistically better years with the Pistons, Lanier enjoyed more team success with the Bucks (and also played in one more All-Star Game). Under Coach Don Nelson, the Bucks won 60 games during the 1980-81 season, and they advanced to the Eastern Conference finals in 1982-83 and 1983-84.

Lanier was also president of the players’ union, the National Basketball Players Association, and helped negotiate a collective bargaining agreement in 1983 that avoided a strike.

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Lanier at an N.B.A. roundtable discussion before Game 5 of the 2005 finals between the Pistons and the San Antonio Spurs. In retirement, he worked with the N.B.A. as a global ambassador and special assistant to the commissioner.
Credit...Melissa Majchrzak/NBAE via Getty Images
Lanier at an N.B.A. roundtable discussion before Game 5 of the 2005 finals between the Pistons and the San Antonio Spurs. In retirement, he worked with the N.B.A. as a global ambassador and special assistant to the commissioner.

Early in the 1983-84 season, his last as a player, Lanier became angry with Bill Laimbeer, the Pistons’ center, for riling him under the boards at the Silverdome in Pontiac, Mich. Lanier retaliated with a left hook that leveled Laimbeer and broke his nose.

The act not only earned Lanier a $5,000 fine; it also delayed the retirement of his No. 16 jersey by the Pistons until 1993. The Bucks retired his number in late 1984.

He was inducted into the Basketball Hall of Fame in 1992.

In retirement, he owned a marketing firm and worked extensively with the N.B.A. as a global ambassador and special assistant to David Stern, the league’s longtime commissioner, and Adam Silver, his successor. Lanier was also an assistant coach under Nelson with the Golden State Warriors during the 1994-95 season and replaced him as interim coach for the final 37 games of the season after Nelson’s resignation.

Information on survivors was not immediately available.

Lanier said that after he retired, he was less likely to be recognized by the public than when he was a player. After Shaquille O’Neal, one of the league’s most dominating centers, came along in the early 1990s, people figured he must have been O’Neal’s father, he told NBA.com in 2018.

“‘You’re wearing them big shoes,’” he said people would tell him. “I just go along with it. ‘Yeah, I’m Shaq’s dad.’”



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