A00039 - Don Redman, First African American Orchestra Leader

Don (Donald Matthew) Redman (1900-1964), a jazz saxophonist, bandleader, and arranger, was the first African American orchestra leader to have a sponsored radio series.  He was a pioneer jazz arranger-composer and contributed significantly to the development of the big-band sound of the 1920s and 1930s.  A child prodigy, Redman was born in Piedmont, West Virginia, and studied at music conservatories in Boston and Detroit.

A00038 - Ben Causey, Sole Survivor of Otis Redding Plane Crash

Ben Cauley (October 3, 1947 – September 21, 2015) was an American trumpet player, vocalist, songwriter, and founding member of the Stax recording group, the Bar-Kays. He was the sole survivor of the 1967 plane crash that claimed the lives of soul singer Otis Redding and four members of the Bar-Kays.

Cauley was born in South Memphis, Tennessee. He learned to play trumpet when at school, and formed a band with guitarist Jimmy King, saxophonist Phalon Jones, drummer Carl Cunningham, keyboardist Ronnie Caldwell, and bassist James Alexander. The group was originally named the Imperials, and later changed to the Bar-Kays in the mid-1960s. Cauley started attending LeMoyne College in 1965, before becoming a professional musician.

The Bar-Kays joined the Stax studio by 1966, and were signed on to Stax's subsidiary Volt Records in the beginning of 1967. According to James Alexander, Cauley was the best dressed of the group, always known to wear a suit, no matter the occasion.

Al Jackson, Jr. the drummer with Booker T & the MGs, took a particular interest in the young members of the Bar-Kays and groomed them to become the second house band for Stax after Booker T and the MGs. As such they appeared as the backing band on numerous recordings for Stax artists such as Otis Redding, Carla Thomas, and Sam and Dave. In fact, Otis Redding took such a liking to the band that he chose them to be his touring back-up band in the summer of 1967.

On December 8, 1967, Otis Redding and the Bar-Kays flew in Redding's twin engine Beechcraft plane to Nashville, Tennessee for three weekend gigs and used that city as a base to commute to additional gigs. The following day, December 9, they took the Beechcraft to Cleveland where they appeared on Don Webster's 'Upbeat' TV show with Mitch Ryder and the Detroit Wheels. Later that same evening they played at a popular Cleveland club, Leo's Casino. It was on December 10, on their commute to Madison, Wisconsin, that the men would meet their fate.

At 3:28 in the afternoon, the plane carrying Otis Redding, his valet, and the majority of the Bar-Kays crashed into the icy waters of the Squaw Bay area of Lake Monona, just outside of Madison. Bar-Kays bassist James Alexander had taken a different flight as there was not enough room left on Redding's plane. Cauley, who was sitting directly behind Otis Redding in the co-pilot's seat, had fallen asleep on the flight clutching his seat cushion. He awoke when he realized he could not breathe. He said that he then saw band mate Phalon Jones look out of a window and say "Oh, no!"

Cauley then unbuckled his safety belt which ultimately allowed him to separate himself from the wreckage. Other victims, including Redding, were found still attached to their seats. As the impact tore a wing off the small Beechcraft, the fuselage was torn open and Cauley was able to bob to the surface as he clutched his seat cushion.

While bobbing and trying to swim to his band mates who weren't able to free themselves from the fuselage, Cauley witnessed their cries for help before they were pulled under the frigid water. A nearby resident of Lake Monona heard the crash and called the authorities who responded quickly with a police boat. Approximately 20 minutes after the crash, Cauley was pulled into the police boat, suffering from hypothermia and shock. According to Jet magazine, which interviewed Cauley and the authorities who assisted in the rescue attempt, the rescue divers could not be in the water for more than 15 minutes at a time due to the freezing temperature of the water. Madison Police Inspector John Harrington was quoted as saying that a person without insulated SCUBA gear "wouldn't live longer than 20 or so minutes" in the icy water. When asked why he survived, Cauley told Jet, "I guess God was with me." Cauley claimed to suffer from nightmares about the accident until his death.

After the accident, Ben Cauley and James Alexander reformed the Bar-Kays and went on to record with Stax artists such as Isaac Hayes, Rufus Thomas, and the Staple Singers, as well as appear at Wattstax, "The Black Woodstock". However, the band made little money, as they did not have much work outside of being a house band for Stax, and frequently needed to tour with the artists they backed. Cauley had two young daughters to support, so he left the group in 1971, allowing him to continue performing on his own while being able to remain home with his family.

Cauley suffered a debilitating stroke in 1989, but eventually recovered fully, aside from occasional problems with slightly slurred speech.

Into the 2000s, Cauley could be heard backing up Liz Lottmann, jazz and blues singer, or performing live at the Memphis club, Rum Boogie, located downtown on Beale Street. He also directed the choir of Calvary Longview United Methodist Church, attended by him and his wife Shirley.

On September 9, 2008, Attorney B.J. Wade donated $100,000 to Stax Records that would be used to create the Ben Cauley scholarship, in his honor and to shed light on his accomplishments. On September 12, 2008, the scholarship was founded. On June 6, 2015 Cauley was on hand to be inducted into the Official Rhythm & Blues Music Hall of Fame in Clarksdale, Mississippi, along with other Bar-Kays.

He died on September 21, 2015 at the age of 67.

A00037 - Moses Malone, 76ers' "Chairman of the Boards"

Moses Malone, in full Moses Eugene Malone   (b. March 23, 1955, Petersburg, Virginia — d. September 13, 2015, Norfolk, Virginia), was an American professional basketball player, who was the dominating center and premier offensive rebounder in the National Basketball Association (NBA) during the 1980s. He led the Philadelphia 76ers to a championship in 1983.

Malone, who led Petersburg High School to 50 consecutive victories and two state championships, was one of the most sought-after college basketball prospects in history. He chose to bypass college, however, and sign with the Utah Stars of the American Basketball Association (ABA) in 1974, thereby becoming the first player to enter professional basketball directly from high school. When the ABA dissolved in 1976, he was acquired by the NBA’s Buffalo Braves, who traded him to the Houston Rockets two games into the 1976–77 season.

Quick and tenacious, Malone, who stood 6 ft 10 in (2.08 m), was noted for his all-around play. An outstanding offensive rebounder with an accurate shooting eye from the floor and free-throw line, he was named the league’s Most Valuable Player (MVP) in 1979 and 1982. He signed with the Philadelphia 76ers in 1982, teaming with Julius Erving and the following year winning the NBA championship. Malone was named MVP of the championship series and of the league in 1983. For six of the seven seasons from 1978 to 1985, he led the NBA in rebounds.

Malone was a member of eight NBA teams, including the Washington Bullets and the Atlanta Hawks.  During his 18 years in the league, he set records for most free throws made (8,531; since broken by Karl Malone) and most offensive rebounds (6,731). He retired in 1994, having scored 27,409 points and collected 16,212 rebounds, which ranked him among the NBA’s all-time top 10 in both categories. In 1997 the NBA named him one of the 50 greatest players in NBA history, and in 2001 he was inducted into the Naismith Memorial Basketball Hall of Fame.  

A00036 - W. E. B. Du Bois, NAACP Founder, Author and Sociologist

W. E. B. Du Bois, in full William Edward Burghardt Du Bois (b. February 23, 1868, Great Barrington, Massachusetts — d. August 27, 1963, Accra, Ghana), American sociologist, was the most important African American leader in the United States during the first half of the 20th century. He shared in the creation of the National Association for the Advancement of Colored People (NAACP) in 1909 and edited The Crisis, its magazine, from 1910 to 1934. Late in life he became identified with communist causes.

Du Bois graduated from Fisk University, an African American institution at Nashville, Tennessee, in 1888. He received a Ph.D. from Harvard University in 1895. His doctoral dissertation, The Suppression of the African Slave-Trade to the United States of America, 1638–1870, was published in 1896. Although Du Bois took an advanced degree in history, he was broadly trained in the social sciences; and, at a time when sociologists were theorizing about race relations, he was conducting empirical inquiries into the condition of African Americans. For more than a decade he devoted himself to sociological investigations of African Americans, producing 16 research monographs published between 1897 and 1914  at Atlanta (Georgia) University, where he was a professor, as well as The Philadelphia Negro; A Social Study (1899), the first case study of an African American community in the United States.

Although Du Bois had originally believed that social science could provide the knowledge to solve the race problem, he gradually came to the conclusion that in a climate of virulent racism, expressed in such evils as lynching, peonage, disfranchisement, Jim Crow segregation laws, and race riots, social change could be accomplished only through agitation and protest. In this view, he clashed with the most influential African American leader of the period, Booker T. Washington, who, preaching a philosophy of accommodation, urged African Americans to accept discrimination for the time being and elevate themselves through hard work and economic gain, thus winning the respect of the European Americans. In 1903, in his famous book The Souls of Black Folk, Du Bois charged that Washington’s strategy, rather than freeing the African American from oppression, would serve only to perpetuate it. This attack crystallized the opposition to Booker T. Washington among many African American intellectuals, polarizing the leaders of the African American community into two wings—the “conservative” supporters of Washington and his “radical” critics.

Two years later, in 1905, Du Bois took the lead in founding the Niagara Movement, which was dedicated chiefly to attacking the platform of Booker T. Washington. The small organization, which met annually until 1909, was seriously weakened by internal squabbles and Washington’s opposition. But it was significant as an ideological forerunner and direct inspiration for the interracial NAACP, founded in 1909. Du Bois played a prominent part in the creation of the NAACP and became the association’s director of research and editor of its magazine, The Crisis. In this role he wielded an unequaled influence among middle-class blacks and progressive whites as the propagandist for the black protest from 1910 until 1934.

Both in the Niagara Movement and in the NAACP, Du Bois acted mainly as an integrationist, but his thinking always exhibited, to varying degrees, separatist-nationalist tendencies. In The Souls of Black Folk he had expressed the characteristic dualism of African Americans:

One ever feels his twoness—an American, a Negro; two souls, two thoughts, two unreconciled strivings; two warring ideals in one dark body, whose dogged strength alone keeps it from being torn asunder.…He simply wishes to make it possible for a man to be both a Negro and an American, without being cursed and spit upon by his fellows, without having the doors of Opportunity closed roughly in his face.

Du Bois’s black nationalism took several forms—the most influential being his pioneering advocacy of Pan-Africanism. the belief that all people of African descent had common interests and should work together in the struggle for their freedom. Du Bois was a leader of the first Pan-African Conference in London in 1900 and the architect of four Pan-African Congresses held between 1919 and 1927. Second, he articulated a cultural nationalism.  As the editor of The Crisis, he encouraged the development of African American literature and art and urged his readers to see “Beauty in Black.” Third, Du Bois’s black nationalism is seen in his belief that African Americans should develop a separate “group economy” of producers’ and consumers’ cooperatives as a weapon for fighting economic discrimination and African American poverty. This doctrine became especially important during the economic catastrophe of the 1930s and precipitated an ideological struggle within the NAACP.

He resigned from the editorship of The Crisis and the NAACP in 1934, yielding his influence as a race leader and charging that the organization was dedicated to the interests of the black bourgeoisie and ignored the problems of the masses. Du Bois' interest in cooperatives was a part of his nationalism that developed out of his Marxist leanings. At the turn of the century, he had been an advocate of African American capitalism and African American support of African American business, but by about 1905 he had been drawn toward socialist doctrines. Although he joined the Socialist Party only briefly in 1912, he remained sympathetic with Marxist ideas throughout the rest of his life.

Upon leaving the NAACP, he returned to Atlanta University, where he devoted the next 10 years to teaching and scholarship. In 1940 he founded the magazine Phylon, Atlanta University’s “Review of Race and Culture.” In 1945 he published the “Preparatory Volume” of a projected encyclopaedia of people of African descent, for which he had been appointed editor in chief. He also produced two major books during this period. Black Reconstruction: An Essay Toward a History of the Part Which Black Folk Played in the Attempt to Reconstruct Democracy in America, 1860–1880 (1935) was an important Marxist interpretation of the Reconstruction era (the period following the American Civil War during which the seceded Southern states were reorganized according to the wishes of Congress), and, more significantly, it provided the first synthesis of existing knowledge of the role of African Americans in that critical period of American history. In 1940 appeared Dusk of Dawn, subtitled An Essay Toward an Autobiography of a Race Concept. In this book, Du Bois explained his role in both the African and the African American struggles for freedom, viewing his career as an ideological case study illuminating the complexity of the black-white conflict.

Following this fruitful decade at Atlanta University, he returned once more to a research position at the NAACP (1944–48). This brief connection ended in a second bitter quarrel, and thereafter Du Bois moved steadily leftward politically. Identified with pro-Russian causes, he was indicted in 1951 as an unregistered agent for a foreign power. Although a federal judge directed his acquittal, Du Bois had become completely disillusioned with the United States. In 1961 he joined the Communist Party and, moving to Ghana, renounced his American citizenship more than a year later. The Autobiography of W.E.B. Du Bois was published in 1968.

A00035 - Lillian Allen, Jamaican Canadian Poet and Writer

Lillian Allen (b. April 5, 1951, Spanish Town, Jamaica), a Jamaican Canadian dub poet, reggae musician, writer and Juno award winner.

Born in Spanish Town, Jamaica, she left that country in 1969, first moving to New York City, where she studied English at the City University of New York. She lived for a time in Kitchener, Ontario, before settling in Toronto, where she continued her education at York University, earning a bachelor of arts degree. After meeting Oku Onuora in Cuba in 1978, she began working in dub poetry. She released her first recording, Dub Poet: The Poetry of Lillian Allen, in 1983.

Allen won the Juno Award for Best Reggae/Calypso Album for Revolutionary Tea Party in 1986 and Conditions Critical in 1988. Both albums were produced by Billy Bryans, the percussionist for Canadian dance-pop band Parachute Club. 

In 1991, she collaborated on the one-off single "Can't Repress the Cause", a plea for greater inclusion of hip hop music in the Canadian music scene, with Dance Appeal, a supergroup of Toronto-area musicians that included Devon, Maestro Fresh Wes, Dream Warriors, B-Kool, Michie Mee, Eria Fachin, HDV, Dionne, Thando Hyman, Carla Marshall, Messenjah, Jillian Mendez, Lorraine Scott, Lorraine Segato, Self Defense, Leroy Sibbles, Zama and Thyron Lee White.

In 2006 Allen and her work were the subject of an episode of the television series Heart of a Poet,  produced by Canadian filmmaker Maureen Judge. She is a Faculty of Liberal Studies Professor at the Ontario College of Art and Design University, where she teaches creative writing. She recently held the distinction of being the first Canada Council Writer-in-Residence for Queen's University's Department of English. Allen also co-produced and co-directed Blak Wi Blakk, a documentary about the Jamaican dub poet Mutabaruka. 

A00034 - Tony Gleaton, Photographer of African Mexican Legacy

Tony Gleaton (b. August 4, 1948, Detroit, Michigan - d. August 14, 2015, Palo Alto, California) was an African American photographer, scholar, and artist who is best known for his photographic images capturing and documenting the African influence in the American West and Central and South America. Gleaton, the youngest son of an elementary school teacher and police officer, was born into a black middle-class family on August 4, 1948 in Detroit, Michigan.  His father, Leo, was a police officer; his mother, the former Geraldine Woodson, taught school. In 1959, his mother left his father and moved the family to California. Gleaton played football in high school and briefly at East Los Angeles Junior College before joining the United States Marine Corps in 1967. While on his first tour of duty in Vietnam, he became fascinated with the camera. 

After serving in the Marine Corps until 1970, Gleaton returned to California and enrolled at the University of California, Los Angeles (UCLA). While there, he took a photography class that revealed his talent for shooting photos. He left UCLA without getting a degree and studied for a semester at the Arts Center School of Design in Los Angeles before venturing to New York to pursue his aspirations of becoming a fashion photographer. Gleaton worked as a photographic assistant and performed other various jobs through the 1970s.

Dissatisfied with the fashion world, Gleaton left New York in 1980 and hitchhiked throughout the American West, photographing cowboys first in northeastern Nevada and then in Texas. He captured the lives of Native American ranch hands and black rodeo riders. His photographic ventures in Texas, Colorado, Nevada, Idaho, and Kansas formed the essence of his project titled Cowboys: Reconstructing an American Myth. This collection featured a series of portraits of African, Native, Mexican and European American cowboys.

Gleaton’s interest in the multicultural Southwest influenced his travels to Mexico. By 1981 he had begun traveling to and from Mexico, shooting photographs. In 1982 he moved to Mexico City, and from 1986 to 1992, he resided with the Tarahumara Indians in northern Mexico and then moved to Guerrero and Oaxaca. Here, Gleaton began what is now his most famous project, Tengo Casi 500 Años: Africa’s Legacy in Mexico, Central & South America. Gleaton photographed the present-day descendants of African slaves brought to the region by Spanish conquistadors in the sixteenth, seventeenth, and eighteenth centuries.  

Africa’s Legacy gained international recognition. In 1993 the collection was placed on exhibit by the Smithsonian Museum and toured throughout Mexico and Cuba with the sponsorship of the Mexican National Council of Art. By 1996 Gleaton had expanded his project to include Central and South America, eventually traveling over fifty thousand miles with stops in sixteen countries between 1993 and 2002.

In 2002 Gleaton became a visiting professor of photography at Texas Tech University.  That same year, he finished a Master’s in Art at Bard College. In 2004 Gleaton became a scholar in residence for the Texas Tech Southwest Collection/Special Collections Library in Lubbock, Texas. The collection houses the Tony Gleaton Archive.  

A big man — he was well over 6 feet tall and weighed more than 300 pounds — Gleaton was known as a charmer, especially with his subjects and with students of photography. He was divorced three times before he married Lisa Ellerbee, a teacher, in 2005. She was his only immediate survivor. They lived in San Mateo, Calif.

Gleaton, who was light-skinned with green eyes, said he often had to explain to people that both his parents were black and that he was not biracial, and that the preconceptions people had of him found their way into his work.

Tony Gleaton died on August 14, 2015, in Palo Alto, California.  His only immediate survivor was his wife, Lisa Gleaton.

A00033 - Chenjerai Hove, Chronicler of Zimbabwe's Struggles

Chenjerai Hove (b. February 9, 1956 – d. July 12, 2015), was a Zimbabwean poet, novelist and essayist who wrote in both English and Shona. 

Chenjerai Hove was born on February 9, 1956, in Mazvihwa, Rhodesia. His father was a local chief with many wives and dozens of children. The younger Mr. Hove attended Roman Catholic schools run by the Marist brothers and, after graduating from a teacher training college, taught literature in rural high schools. He studied for degrees in language and literature at the University of Zimbabwe and then, in the 1980s, was a literary editor at Mambo Press and Zimbabwe Publishing House.

“Up in Arms” (1982), his first book of poetry, depicted in taut, lyrical verse the emotional devastation wrought by the independence struggle. “These poems ring with the self-evident truth of one who had suffered and survived, one who has been there,” the Zimbabwean novelist Charles Mungoshi wrote in his introduction to the book.

“Red Hills of Home,” published in 1985, reflected Mr. Hove’s inner conflict over the brutality he witnessed while teaching in the countryside. In his 1998 collection, “Rainbows in the Dust,” he lamented the broken promises of the independence movement.

He turned to prose fiction in the mid-1980s, writing, in Shona, about the plight of Zimbabwean women in the novel “Masimba Avanhu?” (“Is This the People’s Power?”), published in 1986. He followed up on the success of “Bones” with “Shadows” (1991), a harrowing tale of two lovers coping with poverty and the violence of the bush war. In the fable-like “Ancestors,” he told the story of a young boy, growing up on the eve of independence, who is haunted in his dreams by ancestral female voices.

Mr. Hove also published two collections of political essays, “Shebeen Tales: Messages From Harare” (1994) and “Palaver Finish” (2002). Speaking last year on the BBC radio program “Focus on Africa,” he said that it was his responsibility “as a citizen, as an African, as a Zimbabwean” to take a critical look at his own country — “to look at our lives and at whether our leaders are enhancing our dignity or taking it away.”

Mr. Hove was a founder and board member of the Zimbabwe Human Rights Association, and in 1984 he became the first president of the Zimbabwe Writers Union, a post he held until 1992. In addition to his wife, he is survived by six children and many siblings.

A00032 - Philippa Schuyler, Child Piano Prodigy

Philippa Duke Schuyler (b. August 2, 1931, New York City, New York – d. May 9, 1967, Vietnam) was a noted American child prodigy and pianist who became famous in the 1930s and 1940s as a result of her talent, mixed-race parentage, and the eccentric methods employed by her mother to bring her up.

Schuyler was the daughter of George S. Schuyler, a prominent African American essayist and journalist Josephine Cogdell, a European American Texan and one-time Mack Sennett bathing beauty, from a former slave-owning.  Her parents believed that inter-racial marriage could "invigorate" both races and produce extraordinary offspring. They also advocated that mixed-race marriage could help to solve many of the United States' social problems.

Cogdell further believed that genius could best be developed by a diet consisting exclusively of raw foods. As a result, Philippa grew up in her New York City apartment eating a diet predominantly comprised of raw carrots, peas and yams and raw steak. She was given a daily ration of cod liver oil and lemon slices in place of sweets. "When we travel," Cogdell said, "Philippa and I amaze waiters. You have to argue with most waiters before they will bring you raw meat. I guess it is rather unusual to see a little girl eating a raw steak."

Recognized as a prodigy at an early age, Schuyler was reportedly able to read and write at the age of two and a half, and composed music from the age of five. At nine, she became the subject of "Evening With A Gifted Child", a profile written by Joseph Mitchell, correspondent for The New Yorker, who heard several of her early compositions and noted that she addressed both her parents by their first names.

Schuyler began giving piano recitals and radio broadcasts while still a child and attracted significant press coverage. New York mayor Fiorello La Guardia was one of her admirers and visited her at her home on more than one occasion. By the time she reached adolescence, Schuyler was touring constantly, both in the US and overseas.

Her talent as a pianist was widely acknowledged, although many critics believed that her forte lay in playing vigorous pieces and criticized her style when tackling more nuanced works. Acclaim for her performances led to her becoming a role model for many children in the United States of the 1930s and 1940s, but Schuyler's own childhood was blighted when, during her teenage years, her parents showed her the scrapbooks they had compiled recording her life and career. The books contained numerous newspaper clippings in which both George and Josephine Schuyler commented on their beliefs and ambitions for their daughter. Realization that she had been conceived and raised, in a sense, as an experiment, robbed the pianist of many of the illusions of her youth.

In later life, Schuyler grew disillusioned with the racial and gender prejudice she encountered, particularly when performing in the United States, and much of her musical career was spent playing overseas. In her thirties, she abandoned the piano to follow her father into journalism.

Schuyler's personal life was frequently unhappy. She rejected many of her parents' values, increasingly becoming a vocal feminist, and made many attempts to pass herself off as a woman of Iberian (Spanish) descent named Felipa Monterro. Although she engaged in a number of affairs, and on one occasion endured a dangerous late-term abortion after a relationship with a Ghanaian diplomat, she never married.

Philippa Schuyler and her father, George Schuyler, were members of the John Birch Society.

In 1967, Schuyler traveled to Vietnam as a war correspondent. During a helicopter mission near Da Nang to evacuate a number of Vietnamese orphans, the helicopter crashed into the sea. While she initially survived the crash, her inability to swim caused her to drown. A court of inquiry found that the pilot had deliberately cut his motor and descended in an uncontrolled glide – possibly in an attempt to give his civilian passengers an insight into the dangers of flying in a combat zone – eventually losing control of the aircraft.

Her mother was profoundly affected by her daughter's death and committed suicide on its second anniversary.

A00031 - Sam Cooke, Pioneering Soul and Gospel Singer

Sam Cooke, byname of Samuel Cook   (b. January 22, 1931, Clarksdale, Mississippi.—d. December 11, 1964, Los Angeles, California), American singer, songwriter, producer, and entrepreneur. Cooke was a major figure in the history of popular music and, along with Ray Charles, one of the most influential African American vocalists of the post-World War II period. If Charles represented raw soul, Cooke symbolized sweet soul. To his many celebrated disciples — Smokey Robinson, James Taylor, and Michael Jackson among them—he was an icon of unrivaled stature.

Cooke’s career came in two phases. As a member of the groundbreaking Soul Stirrers, a premier gospel group of the 1950s, he electrified the African American church community nationwide with a light, lilting vocal style that soared rather than thundered. “Nearer to Thee” (1955), “Touch the Hem of His Garment” (1956), and “Jesus, Wash Away My Troubles” (1956) were major gospel hits and, in the words of Aretha Franklin, “perfectly chiseled jewels.”

Cooke’s decision to turn his attention to pop music in 1957 had tremendous implications in the African American musical community. There long had been a taboo against such a move, but Cooke broke the mold. He reinvented himself as a romantic crooner in the manner of Nat King Cole. His strength was in his smoothness. He wrote many of his best songs himself, including his first hit, the ethereal "You Send Me," which shot to number one on all charts in 1957 and established Cooke as a superstar.

While other rhythm-and-blues artists stressed visceral sexuality, Cooke was essentially a spiritualist, even in the domain of romantic love. When he did sing dance songs—“Twistin’ the Night Away” (1962), “Shake” (1965)—he did so with a delicacy theretofore unknown in rock music. Cooke also distinguished himself as an independent businessman, heading his own publishing, recording, and management firms. He broke new ground by playing nightclubs, such as the Copacabana in New York City, previously off-limits to rhythm-and-blues acts.

The tragedy of his demise in 1964—he was shot to death at age 33 by a motel manager—is shrouded in mystery. But the mystery has done nothing to damage the strength of his legacy. “A Change Is Gonna Come” (1965) remains his signature song, an anthem of hope and boundless optimism that expresses the genius of his poetry and sweetness of his soul. Cooke was inducted into the Rock and Roll Hall of Fame in 1986.

A00030 - Johnny Kemp, Bahamian "Just Got Paid" Singer

Jonathan "Johnny" Kemp (August 2, 1959 – April 16, 2015) was a Bahamian singer. 

Kemp began singing in nightclubs in the Bahamas at 13. He moved to New York in 1979 with the band Kinky Fox. His self-titled debut album came out in 1986, and he scored a minor hit with Just Another Lover. True success came the following year, however, with the release of his Secrets of Flying album, which contained a pair of Top 40 hits on the US Billboard R&B chart, "Dancin' with Myself" and "Just Got Paid", the latter hitting #1.

"Just Got Paid" hit the Top 10 on the Billboard Hot 100 in 1988, and sold over a million singles in the United States. It went to top the Hot Dance Music/Club Play, and provided his only UK Singles Chart entry, peaking at #68 in August 1988. His only other Hot 100 entry was "Birthday Suit", a tune from the soundtrack to the movie, Sing which climbed to #36 in 1989.

Kemp appeared on the 2007 DVD release by Keith Sweat entitled Sweat Hotel Live. The DVD featured live performances by Sweat in a sort of reunion with other R&B/new jack swing era pioneers of the late 1980s, including Teddy Riley. Kemp appeared on the final track, an "all-star finale" rendition of "Just Got Paid", originally recorded at a February 2006 concert in Atlanta, Georgia.  Incidentally, Sweat had initially passed on the instrumental track that would eventually become "Just Got Paid", when it was first offered to him in the mid-1980s. Kemp listened to it, added his own lyrics to the melody, and "Just Got Paid" was born.

Kemp was the featured performer (singing "Just Got Paid") at the NJS4E event in New York on September 8, 2007. As the name implied, the show celebrated and commemorated 20 years of new jack swing, and took place at Ashford & Simpson's Sugar Bar.

Kemp was married and the father of two sons.

According to news reports, Johnny Kemp died during the week of April 16, 2015. On Thursday morning, April 16, 2015, his body was found floating in the water of Montego Bay, Jamaica, according to Jamaica police. The cause or exact date of death has not yet been determined. He was 55 years old.

While he was scheduled to be on the Tom Joyner Foundation-hosted annual Fantastic Voyage cruise as a performer when his body was found, reports state he did not board the ship.

A00029 - Izola Ware Curry, Woman Who Stabbed Martin Luther King

Izola Curry (née Ware; June 14, 1916 – March 7, 2015) was a woman who attempted to assassinate civil rights leader Martin Luther King, Jr. She stabbed King with a letter opener at a Harlem book signing on September 20, 1958, during the Harlem civil rights movement of the late 1950s and early 1960s. King was eventually assassinated April 4, 1968, in an unrelated incident. Curry was born near Adrian, Georgia. At age 20, she moved to New York City, where she found work as a housekeeper. Shortly after moving, she developed delusions about the National Association for the Advancement of Colored People (NAACP). 

Curry was one of eight children born to sharecroppers in 1916 near Adrian, Georgia, a city about 100 miles northwest of Savannah. She left school in the seventh grade and later married a man named James Curry when she was 21. The couple separated about six months after their 1937 nuptials, and Izola moved to New York City, the beginning of an itinerant existence that would see her bounce from Georgia, Florida, St. Louis, and New York while in search of steady work as a housekeeper, short-order cook, or factory worker. According to court records, as well as law enforcement and psychiatric reports, Curry began suffering from delusions, paranoia, and illogical thinking for several years before she sought to kill King. This erratic state appears to have contributed to her difficulties in securing and maintaining employment.

King went on a tour to promote Strive Toward Freedom after it was published. During a book signing at a department store in Harlem, a well-dressed woman approached and asked him if he was Martin Luther King, Jr. When King replied in the affirmative, she said, "I've been looking for you for five years," then stabbed him in the chest with a steel letter opener.

New York City police officers Al Howard and Phil Romano were in a radio car near the end of their tour at 3:30 pm when they received a report of a disturbance in Blumstein’s Department store. They arrived to see King sitting in a chair with an ivory handled letter opener protruding from his chest. Howard was heard telling King, "Don’t sneeze, don’t even speak." Howard and Romano took King still in the chair down to an ambulance that took King to Harlem Hospital, which was already notifying chief of thoracic and vascular surgery John W. V. Cordice, Jr., who was in his office in Brooklyn, and trauma surgeon Emil Naclerio, who had been attending a wedding and arrived still in a tuxedo. They made incisions and inserted a rib spreader, making King’s aorta visible. Chief of Surgery Aubre de Lambert Maynard then entered and attempted to pull out the letter opener, but cut his glove on the blade; a surgical clamp was finally used to pull out the blade.

While still in the hospital, King said in a September 30 press release in which he reaffirmed his belief in "the redemptive power of nonviolence"  and issued a hopeful statement about his attacker, "I felt no ill will toward Mrs. Izola Currey [sic] and know that thoughtful people will do all in their power to see that she gets the help she apparently needs if she is to become a free.  On October 17, after hearing King's testimony, a grand jury indicted Curry for attempted murder. 

Curry was diagnosed as a paranoid schizophrenic by two psychiatrists who reported that she had an IQ of 70, “low average intelligence,” and was in a severe “state of insanity.” A Manhattan judge would later concur with the psychiatrists’ conclusion that Curry—who had been indicted for attempted murder—should be committed to the Matteawan State Hospital for the Criminally Insane.  

Curry spent nearly 14 years at Matteawan before being transferred in March 1972 to the Manhattan Psychiatric Center on Ward’s Island in upper Manhattan. She spent about a year there before officials placed her in the Rosedale Queens home of a woman certified through the state’s “Family Care” program to provide residential care for those diagnosed with mental illnesses. After a fall resulting in a leg injury, Curry was placed in the Jamaica, Queens, New York nursing home. where she resided until her death. Curry died on March 7, 2015 of natural causes.

A00028 - Dori Maynard, Advocate for Diversity in Journalism

Dori J. Maynard (May 4, 1958 – February 24, 2015) was the president of the Robert C. Maynard Institute for Journalism Education in Oakland, California, the oldest organization dedicated to helping the nation's news media accurately and fairly portray all segments of our society. The Institute has trained thousands of journalists of color.  She was the co-author of "Letters to My Children," a compilation of nationally syndicated columns by her late father Robert C. Maynard,  with introductory essays by Dori. She served on the board of the Sigma Delta Chi Foundation, as well as the Board of Visitors for the John S. Knight Fellowships.

As a reporter, she worked for the Bakersfield Californian, and The Patriot Ledger in Quincy, Massachusetts, and the Detroit Free Press.  In 1993 she and her father became the first father-daughter duo ever to be appointed Nieman scholars at Harvard University; Bob Maynard won this fellowship in 1966.

She received the "Fellow of Society" award from the Society of Professional Journalists at the national convention in Seattle, Washington on October 6, 2001 and was voted one of the "10 Most Influential African Americans in the Bay Area" in 2004. In 2008 she received the Asian American Journalists Association’s Leadership in Diversity Award.

Maynard graduated from Middlebury College in Vermont with a bachelor of arts in American History.

A00027 - Jerome Kersey, Stalwart of Portland Trail Blazers Basketball

Jerome Kersey (June 26, 1962 – February 18, 2015) was an American professional basketball player in the National Basketball Association (NBA). He played for the Portland Trail Blazers (1984–1995), Golden State Warriors (1995–96), Los Angeles Lakers (1996–97), Seattle SuperSonics (1997–98), San Antonio Spurs (1998–2000), and Milwaukee Bucks (2000–01).

The Trail Blazers selected Kersey in the second round of the 1984 NBA draft from Longwood University (then Longwood College) in Farmville, Virginia. He was a member of the champion Spurs during their 1999 NBA Finals victory over the New York Knicks. Following his playing career, Kersey worked with his former Portland teammate and then-head coach of the Milwaukee Bucks Terry Porter as an assistant in 2005. Kersey died from a pulmonary embolism caused by a blood clot at his home in Tualatin, Oregon, on February 18, 2015.

A00026 - Earl Bostic, Jazz Alto Saxophonist

Earl Bostic (April 25, 1912 – October 28, 1965) was an American jazz alto saxophonist and a pioneer of the post-war American rhythm and blues style. He had a number of popular hits such as "Flamingo", "Harlem Nocturne", "Temptation", "Sleep", "Special Delivery Stomp" and "Where or When" which all showed off his characteristic growl on the horn. He was a major influence on John Coltrane. 

Bostic was born April 25, 1912 in Tulsa, Oklahoma. He turned professional at age 18 when he joined Terence Holder's 'Twelve Clouds of Joy'. He made his first recording with Lionel Hampton in October 1939, with Charlie Christian, Clyde Hart and Big Sid Catlett.  Before that he performed with Fate Marable on New Orleans riverboats. Bostic graduated from Xavier University in New Orleans. He worked with territory bands as well as Arnett Cobb, Hot Lips Page, Rex Stewart, Don Byas, Charlie Christian, Thelonious Monk, Edgar Hayes, Cab Calloway, an other jazz luminaries.  In 1938, and in 1944, Bostic led the house band at Small's Paradise. While playing at Small's Paradise, he doubled on guitar and trumpet. During the early 1940s, he was a well-respected regular at the famous jam sessions held at Minton's Playhouse. He formed his own band in 1945 and made the first recordings under his own name for the Majestic label. He turned to rhythm and blues in the late 1940s. His biggest hits were "Temptation", "Sleep", "Flamingo", "You Go to My Head" and "Cherokee".  At various times his band included Keter Betts, Jaki Byard, Benny Carter, John Coltrane, Teddy Edwards, Benny Golson, Blue Mitchell, Tony Scott, Cliff Smalls, Charles Thompson, Stanley Turrentine, Tommy Turrentine and other musicians who rose to prominence, especially in jazz.

Bostic's King album entitled Jazz As I Feel It featured Shelly Manne on drums, Joe Pass on guitar and Richard "Groove" Holmes on organ. Bostic recorded A New Sound about one month later, again featuring Holmes and Pass. These recordings allowed Bostic to stretch out beyond the three-minute limit imposed by the 45 RPM format. Bostic was pleased with the sessions, which highlight his total mastery of the blues but they also foreshadowed musical advances that were later evident in the work of John Coltrane and Eric Dolphy. 

He wrote arrangements for Paul Whiteman, Louis Prima, Lionel Hampton, Gene Krupa, Artie Shaw, Hot Lips Page, Jack Teagarden, Ina Ray Hutton and Alvino Rey. 

His songwriting hits include "Let Me Off Uptown", performed by Anita O'Day and Roy Eldridge, and "Brooklyn Boogie", which featured Louis Prima and members of the Brooklyn Dodgers. 

Bostic's signature hit, "Flamingo" was recorded in 1951 and remains a favorite among followers of Carolina Beach Music in South Carolina, North Carolina and Virginia. 

During the early 1950s Bostic lived with his wife in Addisleigh Park in St. Albans, Queens, in New York City, where many other jazz stars made their home. After that he moved to Los Angeles, where he concentrated on writing arrangements after suffering a heart attack. He opened his own R&B club in Los Angeles, known as the Flying Fox.

Bostic died October 28, 1965 from a heart attack in Rochester, New York, while performing with his band. He was buried in Southern California's Inglewood Park Cemetery on November 2, 1965. Honorary pallbearers at the funeral included Slappy White and Louis Prima. 

Earl Bostic was inducted into the Oklahoma Jazz Hall of Fame in 1993.

A00025 - Dorothy Dandridge, Singer and Actress

Dorothy Dandridge, in full Dorothy Jean Dandridge (b. November 9, 1922, Cleveland, Ohio - d. September 8, 1965, West Hollywood, California), was a singer and film actress who was the first African American woman to be nominated for an Academy Award for best actress.

Dandridge's mother was an entertainer and comedic actress who, after settling in Los Angeles, had some success in radio and. later, television.  The young Dorothy and her sister Vivian began performing publicly as children and in the 1930s joined a third (unrelated) girl as the Dandridge Sisters, singing and dancing.  In the 1940s and early '50s Dorothy secured a few bit roles in films and developed a highly successful career as a solo nightclub singer, eventually appearing in such popular clubs as the Waldorf Astoria's Empire Room in New York City.

Dandridge then won the title role in Otto Preminger's all-black Carmen Jones (1954), earning an Oscar nomination for best actress.  (Dandridge did not sing in Carmen Jones, however, the singing was dubbed by mezzo-soprano Marilyn Horne.)  Because she was an African American woman in a racially tense era, film offers did not come readily, though she did appear in Island in the Sun (1957), which dealt with miscegenation and costarred Harry Belafonte, as well as in The Decks Ran Red (1958), Tamango 1959), and Moment of Danger (1960).  One of her most important roles was Bess  in Preminger's handsomely produced Porgy and Bess (1959), starring opposite Sidney Poitier.  

In the 1960's, Dandridge's life and career were wracked by divorce, personal bankruptcy, and the absence of offers of work.  At age 42, she was found dead in her West Hollywood apartment, either the victim of an accidental drug overdose or a brain embolism. 

A00024 - Nat King Cole, Legendary Singer and Jazz Pianist

Nat King Cole, byname of Nathaniel Adams Cole, family name originally Coles (b. March 17, 1919, Montgomery, Alabama — d. February 15, 1965, Santa Monica, California), was an American musician hailed as one of the best and most influential pianists and small-group leaders of the swing era. Cole attained his greatest commercial success, however, as a vocalist specializing in warm ballads and light siwng.

Cole grew up in Chicago, where, by age 12, he sang and played organ in the church where his father was pastor. He formed his first jazz group, the Royal Dukes, five years later. In 1937, after touring with a black musical revue, he began playing in jazz clubs in Los Angeles. There he formed the King Cole Trio (originally King Cole and His Swingsters), with guitarist Oscar Moore (later replaced by Irving Ashby) and bassist Wesley Prince (later replaced by Johnny Miller). The trio specialized in swing music with a delicate touch in that they did not employ a drummer; also unique were the voicings of piano and guitar, often juxtaposed to sound like a single instrument. An influence on jazz pianists such as Oscar Peterson, Cole was known for a compact, syncopated piano style with clean, spare, melodic phrases.

During the late 1930s and early ’40s the trio made several instrumental recordings, as well as others that featured their harmonizing vocals. They found their greatest success, however, when Cole began doubling as a solo singer. Their first chart success, “Straighten Up and Fly Right” (1943), was followed by hits such as “Sweet Lorraine,” “It’s Only a Paper Moon,” “(I Love You) For Sentimental Reasons,” and “Route 66.” Eventually, Cole’s piano playing took a backseat to his singing career. Noted for his warm tone and flawless phrasing, Cole was regarded among the top male vocalists, although jazz critics tended to regret his near-abandonment of the piano. He first recorded with a full orchestra (the trio serving as rhythm section) in 1946 for "The Christmas Song," a holiday standard and one of Cole’s biggest-selling recordings. By the 1950s, he worked almost exclusively as a singer, with such notable arrangers as Nelson Riddle and Billy May providing lush orchestral accompaniment. “Nature Boy,” “Mona Lisa,” “Too Young,” “A Blossom Fell,” and “Unforgettable” were among his major hits of the period. He occasionally revisited his jazz roots, as on the outstanding album After Midnight(1956), which proved that Cole’s piano skills had not diminished.

Cole’s popularity allowed him to become the first African American to host a network variety program, The Nat King Cole Show, which debuted on NBC television in 1956. The show fell victim to the bigotry of the times, however, and was canceled after one season. Few sponsors were willing to be associated with a black entertainer. Cole had greater success with concert performances during the late 1950s and early ’60s and twice toured with his own vaudeville-style reviews,The Merry World of Nat King Cole (1961) and Sights and Sounds (1963). His hits of the early ’60s—“Ramblin’ Rose,” “Those Lazy, Hazy, Crazy Days of Summer,” and “L-O-V-E”—indicate that he was moving even farther away from his jazz roots and concentrating almost exclusively on mainstream pop. Adapting his style, however, was one factor that kept Cole popular up to his early death from lung cancer in 1965.

The prejudices of the era in which Cole lived hindered his potential for even greater stardom. His talents extended beyond singing and piano playing: he excelled as a relaxed and humorous stage personality, and he was also a capable actor, evidenced by his performances in the films Istanbul (1957), China Gate(1957), Night of the Quarter Moon (1959), and Cat Ballou (1965); he also played himself in The Nat “King” Cole Musical Story (1955) and portrayed blues legend W. C. Handy in St. Louis Blues (1958). His daughter Natalie is also a popular singer who achieved her greatest chart success in 1991 with “Unforgettable,” an electronically created duet with her father.